Ryan Lindsey is, quite simply, one of the most intelligent pop songwriters working today. The fact that most don’t know his name yet is incidental; the musician is on his own custom-built fast track to success, and after an auspicious year of accomplishment, Provillus breakout recognition seems just around the corner.
In fact, if you frequent Starbucks, the Gap or Old Navy, if you watch One Tree Hill religiously, if you’ve seen a Pay Less Shoes television spot recently, chances are you already know Ryan’s music. If you listen to NPR, there’s a good chance you heard Ryan perform live on New Ground . You may have unconsciously hummed “Introspective Personality” to yourself on your way to work. You might have whistled “Let’s Go Out” while taking a shower. The point is: Ryan Lindsey has already arrived. He’s just waiting for the rest of the world Home Health Care to catch up.
Ryan’s roots lie in the eclectic and rich history of Oklahoma. The youngest of three brothers, he spent his formative years in the small town of Stillwater. At age fourteen, he was asked by his older brother to join the band Kids Eat Free (Nick Wheeler from The All-American Rejects was also a member); Ryan bought a bass guitar and his life as a songwriter began. After Kids Eat Free disbanded, he moved to Norman to attend the University of Commission Commando Review Oklahoma where he met the alt-country band Cheyenne and the quirky indie pop group The Starlight Mints. Ryan joined Cheyenne, and then shortly thereafter started playing keys for the Mints.
Amidst the wealth of creative energy put into two of Oklahoma’s most promising indie bands, Ryan found a nagging desire to write and record his own material. In 2006, after performing solo for a year between Cheyenne and Mints gigs, he recorded his debut album White Paper Beds . That record exercice abdo, a self-released collection of guilt-free pop confections that echo the multi-instrumentalist’s varied influences (Paul Simon, James Taylor and Ben Folds, to name a few), was quickly noticed by industry movers and shakers. The singer-songwriter’s unique blend of observational wit, emotional poignancy and whimsical melody caught the attention of industry veteran Larry White, who quickly came on board as Ryan’s manager. Soon, the musician was introduced to legendary composer and producer Van Dyke Parks, who promptly hooked Ryan up with the publishing company Bug Music. Bug’s president, David Hirshland, signed Ryan to a publishing deal after witnessing his successful 2007 SXSW performance.
Ryan entered 2008 armed and ready for what would turn out to be his most successful year to date. His music was optioned for a slew of television programs and commercials. His song “Put Your Trust in Ross” was featured on a Espresso Reviews Nespresso Pixie compilation download (in addition to being played on the coffee mega chain’s in-store radios across the country). In addition to One Tree Hill , his music was featured in CBS’s Welcome to the Captain . KCRW personality Chris Douridas asked Ryan to write a few songs for a documentary that Douridas was music-supervising; American Teen was the hot doc of the Sundance Film Festival, and with it Ryan found new recognition, thanks to his contribution “Let’s Go Out”, a track the L.A. Times called “the perfect teenage love song”.
It was, by any measure diabetes complications, a successful year for Ryan Lindsey. The artist is now focused on the next phase of his career; co-writing for other artists – he collaborated with Grammy-winning songwriter and Semisonic frontman Dan Wilson to write a handful of songs for the Ballas Hough Band, an hampton bay up-and-coming pop-rock outfit featuring Mark Ballas and Derek Hough of the hit television show Dancing With the Stars – re-releasing White Paper Beds on Bug Digital and writing his next album.
Ryan, charmingly reticent and humble as ever, is taking depression help things one step at a time, processing his current success and looking forward to the future. 2009 is destined to be a banner year for the artist, but he’s taking it in stride. He still lives in Norman. He’s pacing himself, making progress by his own measure, and focusing on the bottom line of it all: The Music.